Often there are only seconds between the ignition of a blasting charge and the collapse of a building, but the planning for such a demolition can take weeks. Blasting is a profession that relies on experience, and that is conveyed through the medium of the image. The blaster, before he destroys the building, makes a complex technical drawing of the progression. The detonation itself is then recorded by several cameras from different view points. Afterwards the drawings are superposed over the photographs in order to control the blast. A permanent calibration, an optimization between the idea and the reality by the means of drawing and photography. In her artistic work, Alina Schmuch also mostly uses the medium of photography. For the project Script of Demolition she worked with the extensive image archive of the blaster family Fink. The publication includes different imaging media—from 8mm film to digital photography. The book presents movement sequences of collapsing chimneys, TV towers and buildings that have been recorded following explicitly nonaesthetic criteria.
Essay: Philip Ursprung
27.0 × 20.0 cm
Graphic design: Jan Kiesswetter
Editors: Heike Schuppelius, Armin Linke
Leipzig 2014
ISBN: 978-3-944669-28-1
36.00 €
Other Publications from the Series
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Lydia Kähny, Sophie Lichtenberg, Andreas Müller, Aaron Werbick, Maxim Weirich (Hrsg.) – Re-reading the Manual of Travelling Exhibitions, UNESCO 1953 (2018)
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F. Mittelberger, S. Pelz, M. Rosen, A. Franke (eds.) – Maschinensehen. Feldforschung in den Räumen bildgebender Technologien (2013)
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Alina Schmuch, Franca Scholz – Losk. An Assembly of Shifting Spaces (2013)
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