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School of Casablanca Seminar - Exhibition IFA Gallery, Photo: Mikas Tomaschko
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Szenografie für das Shifting Paradigms Symposium von Philipp Kern, Photo: Philipp Kern
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„Rote Kammer – Ein Frauenzimmer“ - Bühne & Kostüme: Amelie Enders, Jule Köpke, Jette Schwabe, Photo: Amelie Enders, Jule Köpke, Jette Schwabe
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„Elastic Kin“ - Diplom von Corinne Riepert, Photo: Manuel Sékou
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Arbeit in der Textilwerkstatt, Photo: Asimina Sideris
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Antennae ausstellung im Zkm die in einem dazugehörigen Seminar enstanden ist, Photo: Philipp Kern
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„Testzentrum für chronischen Automobilismus“ - Diplom von Eike Buff, Photo: Wen Liu
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Exkursion zu dem Black Forest Institute of Art, Photo: Asimina Sideris
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„7QM Innen(an)sichten“ - Diplom von Mascha Dilger, Photo: Mischa Schneider
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„Die Sprache der Korallen“ - Bühne an der Adk Luswigsburg von Josephine Gerhardt, Photo: Steven M Schultz
Working with space is pivotal nowadays in the visual and the performing arts. The combination of exhibition design and scenography in a study program is an expression of fluid boundaries among spatial practice in various arts and media.
Exhibition Design combines artistic, curatorial and architectural decisions. The study of exhibition design focuses on the conception and composition of exhibitions in contemporary art, as well as archives and themed displays. In order to deal with theoretical issues an in-depth dialogue with Curatorial Practice will be offered alongside the practical development of exhibition spaces and architecture.
Scenography is understood as the practice of space production and sets a position between the traditional thespian fields of set design and stage direction. Scenographers operate in theater, film, and virtuality, or alternatively develop narrative spaces in form of installations, temporary architecture, choreography and performance. In a project-centered study, both classical and modern arrangements of theater are considered while developing and effectuating new forms of spatial production by negotiating the relations between space, content, viewer and time.
The chair of Curatorial Studies and Dramaturgical Practice is responsible for correlating and complementing the two fields of study in theoretical and practical issues, covering exhibition theory and exhibition history, theory and history of theater as well as dramaturgy and curatorial practice.
Professors
Academic Assistants
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Vera Gärtner
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Akademische Mitarbeiterin ADSZ
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ed.ehurslrak-gfh(ta)rentreagvv
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Hanne König
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Academic Assistant Exhibition Design and Scenography
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T +49 (0) 721 / 8203 2315
ed.ehurslrak-gfh(ta)gineokh
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Philipp Schell
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Akademischer Mitarbeiter für Ausstellungsdesign und Szenografie
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T +49 (0) 721 / 8203 2338
ed.ehurslrak-gfh(ta)llehcsp
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Student & Final Projects 2017/18
Student & Final Projects 2016/17
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ADSZ 2016/17
Proof of Concept – From Las Vegas to New Cairo
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Project by Janina Capelle, Rana Karan, Alper Kazokoğlu, Cécile Kobel, Katharina Oberle, Carlo Siegfried, Marie Stein
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ADSZ 2016/17
City as Collection
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Diploma by Kristina Moser
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ADSZ 2016/17
Peer Gynt, the I and the Other
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Diploma by Clara Bosch
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ADSZ 2016/17
EUTERPE
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Diploma by Lena Loy (concept and scenography)
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ADSZ 2016/17
Emin
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Intermediate Diploma by Ebru Inanc
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ADSZ 2016/17
WHAT REMAINS
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Diploma by Elenya Bannert
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ADSZ 2016/17
Preenacting Reenactments
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Diploma by Sophie Lichtenberg
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ADSZ 2016/17
Automatie
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Intermediate diploma by Leonie Ohlow
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